Julie Bosworth
Soprano/Ensemble Principal

With a voice like “a long, unbroken beam of light” (San Francisco Classical Voice), soprano Julie Bosworth has captivated audiences from coast to coast. From medieval music to world premieres, she finds purpose in collaborating with artists across a vast array of musical genres.

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Equally at home as a concert soloist, on the operatic stage, or in an ensemble, Julie has sung with American Bach Soloists, Tempesta di Mare, the Baltimore Symphony Orchestra, The Bach Choir of Bethlehem, In Series Opera, Staunton Music Festival, Mountainside Baroque, Early Music Access Project, the Handel Choir of Baltimore, True Concord Voices and Orchestra, Washington Bach Consort, Apollo’s Fire, The Broken Consort, Seraphic Fire, Academy of Sacred Drama, Bach in Baltimore, The Thirteen, Kinnara, Hesperus, Raylynmor Opera, Les Canards Chantants, the 21st Century Consort, Musica Spira, Pitch Craft Collective, and The New Consort.

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Julie can be heard on “Isle of Majesty”, an album of original works by Emily Lau, and numerous recordings with The Thirteen, Grammy-nominated True Concord Voices and Orchestra, and The Choir of the Basilica of the National Shrine of the Immaculate Conception. She resides in Washington D.C. with her husband, baritone Corbin Phillips, and their dog, Penny.

Cameron Falby
Tenor

Cameron Falby (tenor) is an artist and vocalist based in Baltimore. Raised by two choir directors in central Maryland, they went on to study at Manhattan School of Music and then the Peabody Conservatory, where they received a BM in Music Composition. 

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They work as a freelance choral singer and soloist in the Baltimore-DC area, performing everything from early music to new music to folk and indie. They regularly appear with local ensembles including the Choir of Emmanuel Episcopal Church, Mind on Fire, Chantry, the National Cathedral Choir, and as a Vocal Fellow with the Baltimore Choral Arts Society.

Former teachers include Michael Hersch, Felipe Lara, Phyllis Bryn-Julson, and Marian Hahn.

Michael Manganiello
Baritone

“Exciting is an apt description of this talented vocalist.” (OperaWire) Michael is currently a on the music faculty at Harford Community College where they teach studio voice lessons. Michael is also on the faculty at the Peabody Institute in both Vocal and Professional Studies, and is a doctoral candidate at the same, where they study with Bill Sharp, Beth Willer, and Patrick O’Donnell. They work as a Senior Peer Career Coach at the Peabody LAUNCHPad Office. Michael graduated from Peabody in 2021 with a master’s degree in Vocal Performance and Pedagogy, and from SUNY Fredonia in 2012, where they earned concurrent bachelor's degrees cum laude in Vocal Performance and Dance, with a minor in Visual Art/New Media.

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Michael's performance and pedagogical interests include cross training in bel canto and contemporary commercial techniques, navigating aural and aesthetic expectations in opera and musical theatre, Somatic Voicework™, historically informed performance, voice science (Voce Vista), improvisation and ornamentation in baroque and contemporary styles, choral and vocal ensemble singing, chamber music, and so-called “extended techniques.”

As someone who has cross-trained in classical and contemporary commercial styles, they are a part of the family of voice teachers who welcome students wishing to pursue an array of possible career paths, from The Met to Broadway to the concert stage to the recording studio, and many others.

Kaylee Parker

Mezzo-Soprano

Mezzo-Soprano Kaylee Parker is an avid choir member and teacher based in Baltimore, MD. Kaylee earned her Master’s degree in Vocal Performance from California State University, Long Beach at the Bob Cole Conservatory of music where she studied voice with the late tenor Timothy MacDougall. Performances include the American premiere of Phillip Glass’s The Perfect American with Long Beach Opera, Dinah in Leonard Bernstein’s Trouble in Tahiti, Old Lady in Bernstein’s Candide, as well as several performances with the CSULB Video Game Orchestra. She holds a bachelor’s degree in Music Education from the University of North Dakota. While at UND, she performed with UND Choral and Opera programs, sang with the Grand Forks Master Chorale, music directed Godspell! and Little Women at a local high school, and maintained a private piano and voice studio.
Kaylee taught elementary and middle school music for five years in El Monte, CA and Baltimore. Since moving on from public school teaching she has performed with several ensembles on the east coast including The Thirteen, Choral Chameleon in New York City, the Washington National Cathedral Choir, and the Emmanuel Choir. She enjoys traveling to new places with her husband, Dillon, a needlepoint hobby, and spending time with their cats, Cleocatra and Cannoli.

Mairin Srygley
Mezzo-Soprano

Mezzo-soprano Mairin Srygley is a multifaceted performing artist and entrepreneur, recently hailed as taking “a star turn” for her “palpable sincerity and sizable voice."

In the 2024-25 season, she debuts the roles of Sister Helen in Dead Man Walking and Sheila in Gift of the Magi (Whitacre) with Opera AACC, Maryland. She will also join the Toronto Summer Music Festival as an Art of Song Fellow and the Mostly Modern Festival as the Voice Fellow. Past roles include Sesto/La clemenza di Tito, Narrator/Considering Matthew Shepard, Penelope/Penelope and the Geese (M. Paranosic), Mother/Hansel and Gretel, and Rinaldo. Notable past venues include the Corfu Museum of Asian Art, National Symphony Orchestra, Baltimore Symphony Orchestra, and Newark Symphony Orchestra.

She is passionate about advancing justice in and through the arts, challenging traditions of classical music, and sharing evidence-based information about vocal health. www.masvoice.org

John Logan Wood
Baritone

John Logan Wood is newcomer to the Washington DC area, from Nashville TN, where he performed regularly with the choir of St. George's Nashville, Nashville Opera Chorus, Chatterbird Ensemble, and as founding member of early music ensemble Elevare. With strong roots in the bluegrass and gospel music fields, he worked regularly as a studio musician and enjoyed performances in historic venues like The Grand Ole Opry and Ryman Auditorium as a background vocalist.

While in Nashville he was the tenor soloist for Carl Orff's Carmina Burana with Nashville Symphony, including a follow up performance at Smetana Hall in Prague, Czech Republic under the direction of Michael Hanawalt. During the height of the Covid pandemic he performed in a full length film adaptation of Kurt Weill's "Die Sieben Todsünden" ("Seven Deadly Sins") with soprano Rebekah Alexander, portraying both brothers. Under the umbrella of Vanderbilt University and The Peterson Foundation for Parkinson's, he was accompanist and assistant director for a choral music therapy group, which ignited his passion for music as community service.

John Logan has sung with numerous ensembles in the DC area, including Washington Bach Consort, Mountainside Baroque, DC Singer Collective, and Washington Men's Camerata. He is a member of the resident choir at The Basilica of The National Shrine, where he is also on staff as cantor.

Taylor Boykins
Mezzo-Soprano

Taylor Hillary Boykins is an American mezzo soprano who boasts a robust performance schedule in the DC Metro area. Playful yet eloquent, Taylor’s melodic style, delicate phrasing, and powerful voice have gained her notable recognition. Suffice it to say, if you’ve ever heard the phrase, “big things come in small packages,” then you have an idea of what you’ll get once you meet— and hear— Taylor Hillary Boykins.

Past collaborations (from ensembles, solos, and roles) include: Third Practice, Maryland Choral Society, Thrive Music Live, Gonzaga University, Mind on Fire, Baltimore Symphony Orchestra, Boston Symphony Orchestra, Nashville Symphony, San Francisco Symphony Orchestra, Chicago Symphony Orchestra, Northern-Neck Orchestra, Mid-Atlantic Symphony Orchestra, Annapolis Opera, Opera Baltimore, Maryland Opera, Pitch Craft Collective, Dualis, and the late Concert Artists of Baltimore.

Taylor earned her Master of Music degree in vocal performance from the Peabody Conservatory of the Johns Hopkins University, where she was a protégé of mezzo soprano, Denyce Graves; a proud and nerdy native of all things Michigan, she received her Bachelor of Music degree from Oakland University in Rochester, MI under the tutelage of contralto, Nadine Washington.

Ben Hawker

Tenor

Hailing from Baltimore, MD, Ben Hawker began his musical training with The Maryland State Boychoir; singing there for 13 years, including a three year stint as a Conducting Intern. After studying music at Towson University, Ben went on to become a  professional choral singer in the Baltimore/ DC area.

Ben currently sings at Washington National Cathedral, where he provides music for six services a week as a member of the Cathedral Choir. Since joining the choir full time in 2021, highlights have included premiering the concert experience “Secret Byrd” in collaboration with Concert Theater Works, singing for the state funerals of President Jimmy Carter, Colin Powell, Madeleine Albright, and Sandra Day O’Connor, and delivering a performance of U2’s MLK for Bono that he referred to as “the most vulnerable rendition of the song I have ever heard, including my own.”

Formerly, Ben sang with the Choir of St. David’s Episcopal Church in Baltimore, where recently he had the honor to return and perform the role of Evangelist in Bach’s St. Matthew Passion. Other recent highlights have included performances with Mountainside Baroque, The Thirteen, and The Wyvern Trio. Outside of classical music, Ben sings with the barbershop quartet Pratt Stree.t Power, which won the International Youth Barbershop Quartet Contest in 2016, and finished 9th in the world in 2023

Juliana Marin
Soprano

Juliana Marin is a singer and teacher of music and the Alexander Technique in Baltimore, MD. She is currently a Vocal Fellow with the Baltimore Choral Arts Society. Juliana graduated from the Peabody Conservatory with a Master of Music in Vocal Performance and from Towson University with a Bachelor of Music in Vocal Performance. While at Towson University, she received the Music Department Talent Award and was the first-place winner of the Dr. Sydney Lieberman Music Competition. While at Peabody, she was awarded a Peabody Career Development Grant and received the George Woodhead Prize in Voice.

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Juliana is an active church musician in the Baltimore area. She has sung with the Choral Arts Society of Washington and the Maryland Choral Society. Juliana has performed roles such as Pamina in The Magic Flute and Clorinda in Cendrillon. She also performed the title role in Suor Angelica with the Little Patuxent Opera Institute and La Fée in Viardot’s, Cendrillon with the Baltimore Vocal Arts Foundation. Juliana participated twice in the Seraphic Fire Professional Choral Institute at the Aspen Music Festival.

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When not actively learning music or teaching, Juliana can be found participating in the Mind Body Music School (her Alexander community) or improvising and recording various styles of music around her house.

Corbin Phillips

Baritone

Labeled a “standout baritone” by the SF Gate, Corbin Phillips is a classical singer with a passion for early music. His most recent solo appearances have included the role of Aeneas in Purcell’s Dido and Aeneas with newly-founded baroque opera company based in Baltimore, Opera Henriette, bass soloist in Handel's Dublin Messiah with Tempesta di Mare, and Monteverdi’s Vespers of 1610 with Baltimore Choral Arts. Other appearances have included performances with Boston Early Music Festival, Mountainside Baroque, Opera Lafayette, Concerto Romano, Big Mouth Society, and Quicksilver Baroque. 

In addition to solo singing, Corbin enjoys performing as a chamber musician. Notable recent appearances include Sarah Kirkland Snyder’s Mass for the Endangered with Gallicantus, and Tallis Through the Looking-Glass with The Thirteen. He is proud to sing with the choir of The National Shrine of the Immaculate Conception in Washington, D.C., the largest Roman Catholic church in North America. 

He holds a master’s degree in Early Music from the Peabody Conservatory where he studied with baritone William Sharp. He obtained his undergraduate degree in voice from Middle Tennessee State University, located near his hometown of Spring Hill, Tennessee. 

Outside of music, Corbin enjoys traveling, photography, and binging a good podcast. Corbin is based in Silver Spring, Maryland, where he resides with his wife, soprano Julie Bosworth.

Nicole Stover

Soprano

Nicole Stover is a vibrant soprano with a passion for collaborative storytelling, holding performance degrees from both Peabody Conservatory (MM) and the University of North Texas (BM). She regularly sings dynamic programs with Emmanuel Choir in Baltimore and often finds herself in concert with colleagues around the DMV area. Her recent highlights include Meg Huskin’s Etiquette for Ladies with Tell Tale Opera, a lovely early music evensong with Basso Celestia, and inaugural concerts with The Cecilia Collective and Pitch Craft Collective. 

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Nicole has also been featured as a soloist in oratorio works including Bernstein’s MASS!, Fauré’s Requiem, and Bach’s B minor Mass. When she isn’t performing or teaching lessons, Nicole is usually found digging through art song texts or her home garden for inspiration.

T. J. Callahan
Bass-Baritone

Bass-baritone T.J. Callahan (he/him/his) is inspired by the collaborative power of the voice and specializes in creating compelling performances of ensemble music from all eras. Currently active in Baltimore, Maryland, he performs with leading area choirs including the Emmanuel Choir and The Thirteen, and has appeared in operatic roles with Peabody Opera Theatre, the Amherst Early Music Festival, and Mind on Fire.
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T.J. was previously based in England where he performed at Stour Music and Music at Oxford. He sings with premier vocal ensembles including the Byrd Ensemble and RADIANCE. He studied Solo Voice Ensemble Singing under Robert Hollingworth at the University of York and completed his Master’s in Historical Performance at Peabody Conservatory in 2024.
 
His favorite workplace is a cathedral choir stall, and he has sung in the choirs of York Minster and Washington National Cathedral. T.J. enjoys spending the warmer days cycling to local bakeries and watching baseball.

Lauren Kim
Soprano

Soprano and collaborative musician Lauren Kim is heartened by music’s ability to be a vessel for human expression. She believes that our art is a reflection of our own stories, and hopes for her audiences to be inspired by the unifying power of each performance and project she pursues. 

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An enthusiast of all classical genres, Lauren has performed in various productions, including Così fan tutte (Dorabella, 2022), The Merry Widow (Valencienne, 2020), Die Fledermaus (featured soloist, 2019), and Le Nozze di Figaro (children’s choir, 2015). Her performances also include vocal and piano solo recitals at Steinway Hall and the Riverside Church in Manhattan, along with a virtual recital in collaboration with The Juilliard School & Nord Anglia.

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As an aspiring conductor, Lauren works closely with her colleagues in Baltimore to bring vocal ensemble repertoire of all genres to life. She currently serves as the assistant conductor of the New Choir of Mt. Vernon, a volunteer ensemble focused on new, secular choral works, and dedicated to the enrichment of its local community. Lauren is also a dedicated Choral Scholar of the Emmanuel Choir led by Christian Lane. 

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Her ultimate goal is to glorify God by sharing His gratuitous and powerful gift of music.

Jaime Miller

Mezzo-Soprano

A native of the Pacific Northwest, mezzo-soprano Jaime Miller received a Bachelor’s of Music from Washington State University before going on to earn her Masters of Music from San Francisco Conservatory of Music. At home in jazz and classical genres alike, career highlights include lead roles in Carmen (Carmen) and Hansel & Gretel (Hansel), receiving a Downbeat Magazine Award, and engagements with the Baltimore and National Symphony Orchestras. She is currently developing a recital program featuring the music of Erich Korngold and Arnold Schoenberg.

Outside of performing, Ms. Miller works as a cybersecurity analyst Maryland’s Office of the Public Defender where she is passionate about supporting their mission to provide “justice, fairness, and dignity for all.”

Eddie Spear

Baritone

Eddie Spear is a composer and baritone from the Hudson Valley area in New York and is currently based in Baltimore, Maryland. Known for his uniquely enchanting and enriching harmonic structures and tone, Eddie draws musical influences from the human experience and the world around us. He creates soundscapes that reflect the qualities of our environment and the worlds we create within ourselves. Eddie enjoys writing for a wide range of instruments and genres, with a particular enjoyment for text setting. He has experience writing art songs, choral works, chamber works, orchestral works, and electronic works.

He recently collaborated with Loadbang ensemble, who premired his work “I Exist,” which explores the challenges, complexities, and beauty of queer identity in the 21st century. In 2022 he was one of the composers selected for Art Song Lab in Vancouver, B.C. where he was paired with poet Jasjit Mann to create a new work. He also was the winner of the Fredonia Composition Competition in 2022, where his new work “Dystopia” was premiered by violinist Jessica Tong.

Eddie is also a performing vocalist with a fancy for new vocal music, including his own original compositions. He is currently a choral scholar at Emmanuel Episcopal Church in Baltimore. At Emmanuel, he has been commissioned to write two choral works for the Choir. He has sung in masterclasses for singers like Anthony Turner and Sandra Piques Eddy, and has also sung in choruses with the Hudson Valley opera Theatre in various opera performances. He has been an avid member of the choral communities in both his undergraduate and graduate studies.

Eddie is currently pursuing his M.M. in Music composition from the Peabody Institute at Johns Hopkins University, where he studies composition under Sky Macklay and voice under Tony Arnold. He received his B.M. in composition from the State University of New York at Fredonia, where he studied composition under Jamie Leigh Sampson, Andrew Martin Smith, and Paul Coleman and studied voice under tenor Joe Dan Harper.

Ross Tamaccio

Baritone

Born in Washington, D.C., and currently residing in Baltimore, MD, Ross

Tamaccio has enjoyed an emerging career as a solo and ensemble singer in the DC/Maryland/Virginia area and throughout North America. He is a well-known soloist with Washington Bach Consort, Baltimore Choral Arts Society, Central Maryland Chorale, Bach in Baltimore, and Maryland Choral Society.

As a sought-after ensemble singer, Ross performs with the Oregon Bach Festival Chorus, Conspirare, Santa Fe Desert Chorale, Cincinnati Vocal Arts Ensemble, Bach Akademie Charlotte, True Concord Voices and Orchestra, Baltimore Concert Opera, and has performed with the City of Birmingham Symphony Orchestra (UK), Baltimore Symphony Orchestra, National Symphony Orchestra, Handel and Haydn Society, and Tafelmusik Baroque Chorus and Orchestra. Currently, he is a resident baritone with the Washington National Cathedral Choir.

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Highlights from recent seasons include the world premiere of Peter Latona's The Saint's Triumphant with the National Shrine Choir, the east coast premiere of Jake Heggie's Out of Darkness, Haydn's Lord Nelson Mass with the Huntington Symphony, Durufle's Requiem with The Thirteen Choir, Handel's Messiah with the Central Maryland Chorale, and Ralph Vaughan Williams' Five Mystical Songs and Dona Nobis Pacem with Maryland Choral Society. In the 2021-2022 season Ross was a Voces8 Vocal Scholar.

Upcoming projects include performances with Conspirare, True Concord Voices and Orchestra, Bach Akademie Charlotte, Kinnara, solo engagements with Spire Chamber Ensemble and Washington Bach Consort as part of their Noontime Cantata Series. Ross is a graduate of Shepherd University and Peabody Conservatory. RossTamaccio.com