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Meet the Musicians

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Julie Bosworth
Soprano/Ensemble Principal

With a voice like “a long, unbroken beam of light” (San Francisco Classical Voice), soprano Julie Bosworth has captivated audiences from coast to coast. From medieval music to world premieres, she finds purpose in collaborating with artists across a vast array of musical genres.

 

This season, in addition to joining PITCH CRAFT, Julie looks forward to performances with the Academy of Sacred Drama, Washington Bach Consort, Seraphic Fire, Bach in Baltimore, True Concord Voices and Orchestra, Apollo’s Fire, the Raleigh Camerata, Staunton Music Festival, and more.

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Equally at home as a concert soloist, on the operatic stage, or in an ensemble, Julie has sung with American Bach, Tempesta di Mare, the Baltimore Symphony Orchestra, The Bach Choir of Bethlehem, In Series Opera, Staunton Music Festival, Mountainside Baroque, Early Music Access Project, the Handel Choir of Baltimore, True Concord, Washington Bach Consort, Apollo’s Fire, The Broken Consort, Seraphic Fire, The Thirteen, Kinnara, Hesperus, Raylynmor Opera, Les Canards Chantants, the 21st Century Consort, Musica Spira, and The New Consort..

 

Julie can be heard on “Isle of Majesty”, an album of original works by Emily Lau, and two recordings with The Thirteen, “The Outer Edge of Youth” and “Truth and Fable”, both produced by Acis.

 

She resides in Baltimore with husband Corbin Phillips and their dog, Penny..

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T.J. Callahan
Bass-Baritone

Bass-baritone T.J. Callahan (he/him/his) is inspired by the collaborative power of the voice and specializes in creating compelling performances of ensemble music from all eras. Currently active in Baltimore, Maryland, he performs with leading area choirs including the Emmanuel Choir and NEXT ensemble, and in 2023 made his operatic debut with Peabody Opera Theatre as Adonis in Venus and Adonis.

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He was previously based in England where he performed at Stour Music and Music at Oxford. He sings with premier vocal ensembles including the Byrd Ensemble and RADIANCE. He studied Solo Voice Ensemble Singing under Robert Hollingworth at the University of York and completed his Master’s in Historical Performance at Peabody Conservatory in 2024.

 

His favorite workplace is a cathedral choir stall, and he has sung in the choirs of York Minster and Washington National Cathedral. T.J. enjoys spending the warmer days cycling to local bakeries and watching baseball.

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Cameron Falby
Tenor

Cameron Falby (tenor) is an artist and vocalist based in Baltimore. Raised by two choir directors in central Maryland, they went on to study at Manhattan School of Music and then the Peabody Conservatory, where they received a BM inMusic Composition.

 

They work as a freelance choral singer and soloist in the Baltimore-DC area, performing everything from early music to new music to folk and indie. They regularly appear with local ensembles including the Choir of Emmanuel Episcopal Church, Mind on Fire, Chantry, the National Cathedral Choir, and as a Vocal Fellow with the Baltimore Choral Arts Society.

 

Former teachers include Michael Hersch, Felipe Lara, Phyllis Bryn-Julson, and Marian Hahn.

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Andrew Hann
Tenor

Andrew Hann (he/him) is a voice coach, singer, pianist, and yoga practitioner based in Baltimore, Maryland. In addition to offering singing voice work, he offers gender affirming voicecare for trans and non-binary folx to help discover their authentic voice which aligns with their identity.

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As a performer, Andrew has demonstrated his versatility by appearing on stage as a vocalist, harpsichordist, and music director. Favorite roles include Arnalta in L'incoronazione di Poppea, Orphée in La descente d'Orphée aux enfers, Pane in La Calisto, and Jimmy Smith in the 2014 premiere of Frances Pollock's social justice opera Stinney.

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When he is not teaching or performing, he enjoys spending time with his husband Eric, and their three cats, Rupert, Dolly, and Bilbo. In his free time he loves cooking and baking, hiking, swimming, and grocery shopping!

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Jaime Miller
Mezzosoprano

A native of the Pacific Northwest, mezzo-soprano Jaime Miller received a Bachelor’s of Music from Washington State University before going on to earn her Masters of Music from San Francisco Conservatory of Music.

 

At home in jazz and classical genres alike, career highlights include lead roles in Carmen (Carmen) and Hansel & Gretel (Hansel), receiving a Downbeat Magazine Award, and engagements with the Baltimore and National Symphony Orchestras. She is currently developing a recital program featuring the music of Erich Korngold and Arnold Schoenberg.

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Outside of performing, Ms. Miller works as a cybersecurity analyst Maryland’s Office of the Public Defender where she is passionate about supporting their mission to provide “justice, fairness, and dignity for all.”

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Kaylee Parker
Mezzosoprano

Mezzo-Soprano Kaylee Parker is an avid choir member and teacher based in Baltimore, MD. Kaylee earned her Master’s degree in Vocal Performance from California State University, Long Beach at the Bob Cole Conservatory of music where she studied voice with the late tenor Timothy MacDougall. Performances include the American premiere of Phillip Glass’s The Perfect American with Long Beach Opera, Dinah in Leonard Bernstein’s Trouble in Tahiti, Old Lady in Bernstein’s Candide, as well as several performances with the CSULB Video Game Orchestra.

 

She holds a bachelor’s degree in Music Education from the University of North Dakota. While at UND, she performed with UND Choral and Opera programs, sang with the Grand Forks Master Chorale, music directed Godspell! and Little Women at a local high school, and maintained a private piano and voice studio.

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Kaylee taught elementary and middle school music for five years in El Monte, CA and Baltimore. Since moving on from public school teaching she has performed with several ensembles on the east coast including Choral Chameleon in New York City, the Washington National Cathedral Choir, and the Emmanuel Choir.

 

She enjoys traveling to new places with her husband, Dillon, a needlepoint hobby, and spending time with their cats, Cleocatra and Cannoli.

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Corbin Phillips
Baritone

Labeled a “standout baritone” by the SF Gate, Corbin Phillips is a classical singer with a passion for early music. His most recent solo appearances have included the role of Aeneas in Purcell’s Dido and Aeneas with newly-founded baroque opera company based in Baltimore, Opera Henriette, bass soloist in Handel's Dublin Messiah with Tempesta di Mare, and Monteverdi’s Vespers of 1610 with Baltimore Choral Arts. Other appearances have included performances with Boston Early Music Festival, Mountainside Baroque, Opera Lafayette, Concerto Romano, Big Mouth Society, and Quicksilver Baroque.

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In addition to solo singing, Corbin enjoys performing as a chamber musician. Notable recent appearances include Sarah Kirkland Snyder’s Mass for the Endangered with Gallicantus, and Tallis Through the Looking-Glass with The Thirteen. He is proud to sing regularly with the choir of The National Shrine of the Immaculate Conception in Washington, D.C., the largest Roman Catholic church in North America.

 

He holds a master’s degree in Early Music from the Peabody Conservatory where he studied with baritone William Sharp. He obtained his undergraduate degree in voice from Middle Tennessee State University, located near his hometown of Spring Hill, Tennessee.

 

Outside of music, Corbin enjoys traveling, analog photography, and binging a good podcast. Corbin is based in Baltimore, Maryland, where he resides with his wife, soprano Julie Bosworth.

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Eddie Spear
Baritone

Eddie Spear is a composer and vocalist based in Baltimore. Known for his uniquely enchanting and enriching harmonic structures, Eddie draws musical influences from the human experience and the world around us - creating soundscapes that reflect the qualities of the environment and world we create within ourselves.

 

Eddie enjoys writing for a wide range of instruments and genres, with a particular enjoyment for text setting. In 2022 he was one of the composers selected for Art Song Lab in Vancouver, B.C. where he was paired with a poet to create a new work. He also was the winner of the Fredonia Composition Competition in 2022, where his new work “Dystopia” was premiered by violinist Jessica Tong.

Eddie also is a performing vocalist with a fancy for new vocal music, including his own original compositions.

 

Eddie is currently a choral scholar at the Emmanuel Episcopal Church in Baltimore and has sung in masterclasses for singers like Anthony Turner and Sandra Piques Eddy. Eddie is currently pursuing his M.M. in Music Composition from the Peabody Institute of the Johns Hopkins University, where he studies composition under Sky Macklay and voice under Tony Arnold.

 

He received his B.M. in composition from the State University of New York at Fredonia, where he studied under Jamie Leigh Sampson, Andrew Martin Smith, and Paul Coleman. He also studied voice under Joe Dan Harper.

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Nicole Stover
Soprano

Nicole Stover is a vibrant local soprano with a passion for collaborative storytelling. She regularly performs with choirs and opera choruses in the DMV area and currently teaches private voice and piano lessons.

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Nicole has a long history of chorus work, regularly singing with Emmanuel Choir in Baltimore, Annapolis Opera Chorus and previously Maryland Lyric Opera Chorus.. Her recent oratorio solo work includes Bernstein’s MASS!, Fauré’s Requiem, and Bach’s B minor Mass.

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In the Spring of 2022, Nicole received her Master’s Degree in Vocal Performance at Peabody Conservatory under the direction of Ah Young Hong and Dr. Patrick O’Donnell. She currently studies with Dr. Randall Scarlata and is continuing to grow her abilities in classical repertoire.

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In addition to private teaching, Nicole continues to expand her experience with opera, early music, choral singing, and small ensemble work. She loves opportunities to connect with her colleagues and the community, especially in giving voice to new and under-represented works with composers around Baltimore.

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